On the compulsion to make art - by Henrik Karlsson
henrikkarlsson.xyz · 2,390 words · saved by 4 readers
The work was what connected him to himself.
Peatery in Drenthe, Vincent van Gogh, 1883 In the 1930s, people on the island where we live would go down to the old coal pit after thunderstorms, the village historian told me. They went looking for pink fragments of stone, the size of a finger—fossils after a kind of 120-million-year-old squid that had been hauled from the ground by the miners. But the villagers thought the pink stones were the arrowheads of lightning that had struck, and they would put the lightning tips they gathered under their beds to keep themselves safe. Lighting will not strike the same place twice. There was…
saved by
related reading
- On the compulsion to make artsubstack.com
- Calvin and Hobbes at Martijn's - Bill Wattersonweb.mit.edu
- The Landscape Artist Andy Goldsworthy Contemplates His Own Natural Decay | The New Yorkernewyorker.com
- Collecting like a childartforecast.substack.com
- A constellation of lookershenrikkarlsson.xyz
- EXIT Mag | Boston Art, Events & Creative Culture — exit galleriesexitgalleries.com
- The Lives of the Artists: Preface to the Work,arthistoryproject.com
- All the Work That Keeps Us Warm - by Kendall Waldmanadayguide.substack.com
- Damien Hirstalainelkanninterviews.com
- More Lifealtered.substack.com
- Bill Watterson: 'Some thoughts on the real world by one who glimpsed it and fled', Kenyon College - 1990 - Speakolaspeakola.com
- Unprogress Reportmanasjournal.org