The Landscape Artist Andy Goldsworthy Contemplates His Own Natural Decay | The New Yorker
newyorker.com · 6,989 words · saved by 1 readers
In rural Scotland, Andy Goldsworthy, the sculptor famed for his use of natural materials, contemplates his own decay.
Save this story Save this story The British artist Andy Goldsworthy moved to Penpont, a village in southwest Scotland, in 1986, when he was thirty. The area’s initial appeal was twofold. Property was cheap, which meant that Goldsworthy and his wife at the time, Judith Gregson, could acquire an unrenovated stone building that had likely once stored grain. This structure could serve as a workspace and, for a while, as a rough-and-ready home. Of equal importance to Goldsworthy was the existence in Scotland of a customary right to roam. He could move freely through the surrounding farmland, traver
related reading
- On the compulsion to make arthenrikkarlsson.xyz
- On the compulsion to make artsubstack.com
- How Larry Gagosian Reshaped the Art World | The New Yorkernewyorker.com
- Cy Twombly, the Content Painter | The New Yorkernewyorker.com
- Author Ocean Vuong on being generous in your work - The Creative Independentthecreativeindependent.com
- Nick Cave on the Fragility of Life | The New Yorkernewyorker.com
- The Painted Protest, by Dean Kissickharpers.org
- How to Practice | The New Yorkernewyorker.com
- Mackie | Where we Belongmackie-art.com
- ‘He was in mystic delirium’: was this hermit mathematician a forgotten genius whose ideas could transform AI – or a lonely madman? | Mathematics | The Guardiantheguardian.com
- All the Work That Keeps Us Warm - by Kendall Waldmanadayguide.substack.com
- spines for a lifetimespencerchang.substack.com