Anupam Sidhant

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on the atlas — 23

highlights — 16

"minus bathroom and bathing breaks,"
Justin.tv's 24/7 lifecasting practices - Claude
Although it isn't a continuous stream, the motivations of "life sharing" remains the same.
Lifestreaming
Lifecasting is a continual live streaming of events in a person's life through digital media. Typically, lifecasting is transmitted through the medium of the Internet and can involve wearable technology.[14][15][16] Lifecasting reverses the concept of surveillance, giving rise to sousveillance through portability, personal experience capture, daily routines and interactive communication with viewers.[17]
Lifestreaming
Lifestreaming has altered the dynamics of maintaining connections and facilitating a sense of community regardless of the geographical distance. This particular facet of lifestreaming serves as a valuable tool for constructing and nurturing online communities where individuals with shared interests can converge.
Lifestreaming
The rapid accessibility of one's lifestreaming activity can provide important information and inspire readers.[3][vague]
Lifestreaming
The increase in people keeping track of their lives digitally is considered by futurologists a step towards artificial intelligence.[9]
Lifestreaming
Social network aggregators adapted Freeman and Gelernter's original concept to address the vast flows of personal information and exchange created by social network services such as MySpace or Facebook ("web companies large and small are embracing this stream"[8] of providing lifestreaming). Other online applications have emerged to facilitate a user's lifestream. Posterous offered a variety of unique features to enhance its basic blogging function. Tumblr is a similar concept, but with slightly different features.
Lifestreaming
I like to think of a lifestreaming as today's digital equivalent of Leonardo da Vinci's notebooks [...] da Vinci's recorded notes, drawing, questions and more in his notebooks. Some of these were quite mundane (grocery lists and doodles), others were not. But their body of work was overtime, a view of a one individual's mind. — Steve Rubel, Why Lifestream? To model Leonardo da Vinci diaries.[7]
Lifestreaming
The point of lifestreams isn't to shift from one software structure to another but to shift the whole premise of computerized information: to stop building glorified file cabinets and start building (simplified, abstract) artificial minds; and to store our electronic lives inside."[4]
Lifestreaming
The term "lifestream" was coined by Eric Freeman and David Gelernter at Yale University in the mid-1990s to describe "...a time-ordered stream of documents that functions as a diary of your electronic life;
Lifestreaming
ustin Kan Entrepreneur and lifecaster Sarah Austin with Justin.tv founder Justin Kan in a photo by Brian Solis at DoubleClick's April 26, 2007 ad:tech party in San Francisco. Wearing the capcam, Kan was lifecasting at that event. In San Francisco, in early 2007, Justin Kan founded Justin.tv, a platform for live video streaming online. Wearing a webcam attached to a cap, Kan began streaming continuous live video and audio, beginning at midnight March 19, 2007, and he named this procedure "lifecasting,"[35] apparently unaware of the accepted use of that term for a sculpting process. Kan announce…
Lifestreaming
My Dinner With Andreessen
My Dinner With Andreessen - The American Prospect
The doorbell is not the problem. The question is what we do after opening the door.
Deepinder Goyal on X: "Last one on this topic, and I have been holding this in myself for a while. For centuries, class divides kept the labor of the poor invisible to the rich. Factory workers toiled behind walls, farmers in distant fields, domestic help in backrooms. The wealthy consumed the fruits" / X
Bauhaus obviously sits as part of broader tides—functionalism, constructivism, De Stijl, etc.—but the project also shows how intentional artistic ambition can succeed. Everything from modern offices to modern tech hardware is in some sense downstream of Bauhaus.
A Call for New Aesthetics
Creative work was funded with the understanding that most of it would not pay back directly. Survival depended on managing slates rather than chasing certainty. The LP did not eliminate risk. It organised it
LPs as a historical media business model - Osho's Journals
This future is often difficult to predict because it always disguises itself as the past. Early phone calls were concise like telegrams. Early movies looked like filmed plays. (This is what Marshall McLuhan called "driving to the future via the rearview window.")
Ivan Zhao on X: "Steam, Steel, and Infinite Minds" / X