Midcentury Modern Furniture Owes Its Popularity to the Welfare State | The New Republic
newrepublic.com · 1,946 words · saved by 1 readers
Danish design was a product of postwar social democracy.
The first televised presidential debate, in 1960, began with both candidates sitting before approaching their respective podiums. Nixon was memorably not telegenic: sweaty and uncomfortable. On the chair next to him, Kennedy, with his legs crossed, appears relaxed, youthful, and handsome. In the intervening 60 years, we have come to think of JFK winning the debate by knowing how to play to the camera. But maybe the chairs also helped: They were Danish. In fact, they were Hans Wegner’s famed round chairs : the ultimate symbol of midcentury sophistication. The chair was spartan and simple—one bi
saved by
related reading
- The Anti-Slop Aesthetichyphen.art
- The age of average - Alex Murrellalexmurrell.co.uk
- Taste for Makerspaulgraham.com
- Book Review: From Bauhaus To Our House - by Scott Alexanderastralcodexten.com
- Miniatures Collectionluminaire.com
- Are ‘antiques’ the most modern things we own?worldofinteriors.com
- Chartbook 322: "Can We Consume Our Surplus?" or John Maynard Keynes on "The Influence of Furniture on Love"adamtooze.substack.com
- Book Review: Seeing Like A Stateslatestarcodex.com
- A Cultural Agenda for Our Time | National Affairsnationalaffairs.com
- Copying is the way design works || Matt Ström-Awn: designer & developermatthewstrom.com
- Taste for Makerspaulgraham.com
- Patina and Intimacy - by Simon Sarrismap.simonsarris.com