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Mimi O’Donnell Reflects on the Loss of Philip Seymour Hoffman and the Devastation of Addiction | Vogue

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Save this story Save this story The first time I met Phil , there was instant chemistry between us. It was the spring of 1999, and he was interviewing me to be the costume designer for a play he was directing—his first—for the Labyrinth Theater Company, In Arabia We’d All Be Kings . Even though I’d spent the five years since moving to New York designing costumes for Off-Broadway plays and had just been hired by Saturday Night Live , I was nervous, because I was in awe of his talent. I’d seen him in Boogie Nights and Happiness , and he blew me out of the water with his willingness to make himse

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