Kader Attia
Kader Attia is a French artist of Algerian descent currently based in Berlin whose practice often investigates historical misunderstandings. His installation The Repair from Occident to Extra-Occidental Cultures, 2012, was a highlight of last year’s Documenta 13. He recently expanded the research he developed for that work into the exhibition “Repair. In Five Acts,” which is on view at KW Institute for Contemporary Art in Berlin through August 25, 2013. Here he discusses the intellectual framework of this project and how it evolved into its current presentation. I HAVE BEEN EXPLORING what I call reappropriation for many years now. I borrow the term from the French anarchist thinker Pierre-Joseph Proudhon, who proclaimed that “Property is theft!” in the mid-1800s. Another source of inspiration is the Cannibal Manifesto, written by Brazilian poet Oswald de Andrade in 1928, which theorizes that Brazil could only get rid of its European cultural legacy by “cannibalizing” it. The writings o
Kader Attia Read Next: Long-lost Historic Murals Uncovered in Chile Subscribe Close Open Menu Close Open Search Search for: Search for: Close Menu Follow Us Facebook Instagram X YouTube Alerts & Newsletters Email address to subscribe to newsletter. Sign Up By providing your information, you agree to our Terms of Use and our Privacy Policy . We use vendors that may also process your information to help provide our services. Artforum is a part of Penske Media Corporation. © 2026 Artforum Media, LLC. All Rights Reserved. Interviews Kader Attia Kader Attia talks about “Repair. In Five Acts” B
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