Totality and Totalisation
From this point of view, and before taking the discussion any further, we must make a clear distinction between the notions of totality and totalisation. A totality is defined as a being which, while radically distinct from the sum of its parts, is present in its entirety, in one form or another, in each of these parts, and which relates to itself either through its relation to one or more of its parts or through its relation to the relations between all or some of them. If this reality is created (a painting or a symphony are examples, if one takes integration to an extreme), it can exist only in the imaginary (1’imaginaire), that is to say, as the correlative of an act of imagination. The ontological status to which it lays claim by its very definition is that of the in-itself, the inert. The synthetic unity -which produced its appearance of totality is not an activity, but only the vestige of a past action (just as the unity of a medallion is the passive remnant of its being struck)
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