Ninfa Huamani Altuna
2 followers · 2 following · 909 views
on the atlas · 24
- alix earle - Google Search1 savers
- Anne Carson · On Rosalía2 savers
- Latin American Fiction Boom | History | Research Starters | EBSCO Research1 savers
- Pascale Casanova, Literature as a World, NLR 31, January–February 20051 savers
- Guide to the Latin American Boom - Boston Review1 savers
- Reading is magic - by Sam Kriss - Numb at the Lodge1 savers
- Letralia 286 | Entrevistas | Roberto Bolaño: Hay que mantener la ficción en favor de la conjetura | Eduardo Cobos1 savers
- What is a Novel? (Part I) - The Cambridge Companion to the Novel1 savers
- The Goon Squad, by Daniel Kolitz14 savers
- Studiengebühren in Deutschland1 savers
- Simon Dubnow–A Revaluation – Commentary Magazine1 savers
- Good Morning America • Max1 savers
- Gmail115 savers
- Trainspotting • Max1 savers
- All the nerds are dead - by Sam Kriss - Numb at the Lodge3 savers
- Carta de Sergio Larrain a su sobrino fotógrafo | . maestrosdelafotografia .1 savers
- Racismo: ¿Cuál es el problema de no ser blanco? | EL PAÍS México3 savers
- Shopping Bag | Gap1 savers
- How do we write about love of cock? - Post453 savers
- Charlotte Corday - Wikipedia1 savers
- Unnatural Gifts | The Point Magazine4 savers
- Age Gap Relationships: The Case for Marrying an Older Man1 savers
- Legislative Assembly (France) - Wikipedia1 savers
- Gimme Welter, by Becca Rothfeld2 savers
highlights · 98
Autonomy implies that the events which take place in literary space are autonomous too: the watershed dates, manifestos, heroes, monuments, commemorations, capital cities, all combine to produce a specific history, which cannot be confused with that of the political world—even if it partially depends upon it, in a form that would require careful attention.
Pascale Casanova, Literature as a World, NLR 31, January–February 2005In this sense, the Nobel Prize is a prime, objective indicator of the existence of a world literary space
Pascale Casanova, Literature as a World, NLR 31, January–February 2005Only when the carpet is seen as a configuration—to use Foucault’s term in Les Mots et les choses—ordering the shapes and colours can its regularities, variations, repetitions be understood
Pascale Casanova, Literature as a World, NLR 31, January–February 2005the conceptual means for thinking literature as a world
Pascale Casanova, Literature as a World, NLR 31, January–February 2005a space: a set of interconnected positions, which must be thought and described in relational terms.
Pascale Casanova, Literature as a World, NLR 31, January–February 2005without falling into the trap of total autonomy.
Pascale Casanova, Literature as a World, NLR 31, January–February 2005whose divisions and frontiers are relatively independent of political and linguistic borders.
Pascale Casanova, Literature as a World, NLR 31, January–February 2005refracted, diluted, deformed or transformed
Pascale Casanova, Literature as a World, NLR 31, January–February 2005Let us say that a mediating space exists between literature and the world: a parallel territory, relatively autonomous from the political domain, and dedicated as a result to questions, debates, inventions of a specifically literary nature.
Pascale Casanova, Literature as a World, NLR 31, January–February 2005Swanson, Philip. Latin American Fiction: A Short Introduction. Malden, Mass
Latin American Fiction Boom | History | Research Starters | EBSCO ResearchVázquez Amaral, José. The Contemporary Latin American Narrative. New York: Las Américas, 1970.
Latin American Fiction Boom | History | Research Starters | EBSCO ResearchTwo Views of the Boom: North and South
Latin American Fiction Boom | History | Research Starters | EBSCO ResearchLatin American Literary Review 15 (January-June, 1987): 7-206. Special issue entitled “The Boom in Retrospect: A Reconsideration.”
Latin American Fiction Boom | History | Research Starters | EBSCO ResearchThree questions. is it possible to re-establish the lost bond between literature, history and the world, while still maintaining a full sense of the irreducible singularity of literary texts? Second, can literature itself be conceived as a world? And if so, might an exploration of its territory help us to answer question number one?
Pascale Casanova, Literature as a World, NLR 31, January–February 2005the old boys are ejected from the pantheon, the local gods are outraged, the whippersnappers take over, a whole new profile for Latin American culture gradually takes form
Guide to the Latin American Boom - Boston ReviewNothing like this would have occurred in the forties or the early fifties. Latin American literature has gained an enormous readership just in the past twenty years.
Guide to the Latin American Boom - Boston Reviewcultural impulse given to Latin America by the Cuban Revolution
Guide to the Latin American Boom - Boston Reviewnewly forged continental consciousness
Guide to the Latin American Boom - Boston ReviewThe boom novel is never reportage, it is never blatant political protest, it is never “responsible,” in the suffocating sense. And too, the Boom announced a cultural hegemony and unity out of disparity that would have been unthinkable some twenty or thirty years ago.
Guide to the Latin American Boom - Boston ReviewThese are the eternal lessons of authors as disparate as Jane Austen, Faulkner, and Thomas Mann.
Guide to the Latin American Boom - Boston ReviewBut there are a few things about the Boom that can be said with some accuracy and equanimity. The authors involved are resolutely engaged in a transfiguration of Latin American reality, from localism to a kind of heightened, imaginative view of what is real–a universality gained by the most intense and luminous kind of locality.
Guide to the Latin American Boom - Boston ReviewIn the same way that a Tolstovian peasant has a deep, spiritual knowledge of the land, we will have a deep, spiritual knowledge of Tung Tung Tung Sahur.
Reading is magic - by Sam Kriss - Numb at the LodgeThe politics of the future will be cautious, conservative, pragmatic, and unadventurous, grounded in empirical experience instead of fanatical ideologies. We will no longer try to think outside of the things we can see. It’s just that absolutely nothing we see will be real.
Reading is magic - by Sam Kriss - Numb at the LodgeWhen we can no longer conceive of a political whole, this is what will be left: all struggles will be powered by outright sexual sadism.
Reading is magic - by Sam Kriss - Numb at the LodgeIt’s possible that the great works of literature don’t actually do anything politically at all. They don’t make us better people or freer citizens. Their value exists in an entirely different world.
Reading is magic - by Sam Kriss - Numb at the LodgeYour community is no longer made up of the people who actually surround you; it’s an entirely virtual construct, consisting of people you’ve never met in your life, but whose spoken language has been similarly homogenized by the mass-production of printed texts.
Reading is magic - by Sam Kriss - Numb at the LodgeModern nationalism would have been impossible without the dislocation of the written word.
Reading is magic - by Sam Kriss - Numb at the LodgeOrality and Literacy
Reading is magic - by Sam Kriss - Numb at the LodgeThe end of literacy is the end of public reason. A post-literate world will be unreasonable, irrational, full of anger and madness, and people eating each other in the streets.
Reading is magic - by Sam Kriss - Numb at the LodgeThe illiterate herders and peasants were living in the ruins of a sophisticated literary culture that had, for the most part, vanished from the world.
Reading is magic - by Sam Kriss - Numb at the LodgeAny transformative politics is, in some sense, the art of solving a problem even when it isn’t so.
Reading is magic - by Sam Kriss - Numb at the LodgeLuria took pains to point out that these people weren’t remotely stupid. They were perfectly capable of thinking rationally and deductively, and they could make ‘excellent judgments about facts of direct concern to them.’ But they lived in an incredibly conservative world, with its walls closed tight around direct sensory experience. Meanwhile, even a cursory exposure to writing produces an entirely different kind of thought. It lives in a spooky realm of ideal objects and useless categories, where you can talk confidently about invisible bears and measure distances even when they’re going the…
Reading is magic - by Sam Kriss - Numb at the Lodgethe novel as a genre invites individualization, subjectification, and anthropomorphization
What is a Novel? (Part I) - The Cambridge Companion to the Novel“the individuality of a living being,”
What is a Novel? (Part I) - The Cambridge Companion to the NovelFor Bakhtin, the novel overcomes its overwhelming “lack of limits,” its “‘bad’ infinity,” through “recourse to the biographical form.”
What is a Novel? (Part I) - The Cambridge Companion to the NovelMikhail Bakhtin’s paean to the perpetual newness and liveness of the novel captures it thus
What is a Novel? (Part I) - The Cambridge Companion to the Novelold with new, fact with fiction, social with imaginative, political with personal
What is a Novel? (Part I) - The Cambridge Companion to the NovelForward, in the direction of the apprentice, the future writer, the informed critic.
What is a Novel? (Part I) - The Cambridge Companion to the NovelWhy does it condense, again and again, the historical sensibility of a moment, capturing what it is to live now, live here, live this way?
What is a Novel? (Part I) - The Cambridge Companion to the NovelThis duality, I will argue, is a hallmark of the novel and of genre too. Both are categories marked by dialectical form, that is, an interplay of contradictory forces.
What is a Novel? (Part I) - The Cambridge Companion to the Novella propia naturaleza de la novela escapa a la totalidad, no hay novela total; si alguna vez la hubo, la hicieron Stendhal, Tolstoi, Dostoievski o Flaubert, este último, en ese aspecto, fue de
Letralia 286 | Entrevistas | Roberto Bolaño: Hay que mantener la ficción en favor de la conjetura | Eduardo CobosTodos esos escritores proteicos que se enfrentan a la novela imposible, se me parecen a los adelantados españoles que venían casi a la deriva en los barcos.
Letralia 286 | Entrevistas | Roberto Bolaño: Hay que mantener la ficción en favor de la conjetura | Eduardo CobosCreo que no existe la novela total. Pero me parece magnífico el escritor que dice: voy a lograr la novela total. Eso me parece admirable
Letralia 286 | Entrevistas | Roberto Bolaño: Hay que mantener la ficción en favor de la conjetura | Eduardo CobosAdemás, es una novela satírica sobre la miseria de la escritura, la miseria de los escritores, la picaresca canalla de un mundo tan aparentemente lejano
Letralia 286 | Entrevistas | Roberto Bolaño: Hay que mantener la ficción en favor de la conjetura | Eduardo CobosEsa es la relación que he tenido con cierta pintura, a mí me encantan las variaciones en la pintura, la serialización, a pesar de que en literatura solo se puede hacer con los textos cortos.
Letralia 286 | Entrevistas | Roberto Bolaño: Hay que mantener la ficción en favor de la conjetura | Eduardo CobosEs la única que podía tener.
Letralia 286 | Entrevistas | Roberto Bolaño: Hay que mantener la ficción en favor de la conjetura | Eduardo Coboshistorias que se bifurcan, que se pierden pero que vuelven
Letralia 286 | Entrevistas | Roberto Bolaño: Hay que mantener la ficción en favor de la conjetura | Eduardo CobosSon voces que se van y vuelven, son rostros que se van y vuelven, historias como quería Stendhal: toda historia que se va, en algún momento vuelve, pero vuelve transformada o en el proceso de volver se ha transformado en otra historia, es como el paso del tiempo
Letralia 286 | Entrevistas | Roberto Bolaño: Hay que mantener la ficción en favor de la conjetura | Eduardo Coboshistorical tension between fact and fiction in the seventeenth and eighteenth centuries,
What is a Novel? (Part I) - The Cambridge Companion to the NovelOn Sun, Nov 30, 2025 at 11:42 PM Ninfa Huamani Altuna wrote:I am. I lost my train back and I got home a few hours later. I'm still sending it tonight. On Sun, Nov 30, 2025 at 11:41 PM Ernest Benz wrote:I take it you're still composing?On Sun, Nov 30, 2025 at 1:30 AM Ernest Benz wrote:Thanks for checking in.Chances are I wouldn't have got a lot of comments written before Sunday evening anyway.You can explain the reasoning regarding graduate school when we chat.On Sun, Nov 30, 2025 at 1:25 AM Ninfa Huamani Altuna wrote:Dear Professor Benz,I last-minute traveled to New York today to meet with a r…
Gmail