Châu Huyền

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on the atlas · 18

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Where should we draw the line between making sure pregnant women are well-informed without scaring them to death?
We can tell the truth about pregnancy without scaring women to death – in fact, it’s vital that we do | Emily Oster | The Guardian
And I would hate more than anything for someone to decide not to have a wanted family because they are worried about pregnancy and birth.
We can tell the truth about pregnancy without scaring women to death – in fact, it’s vital that we do | Emily Oster | The Guardian
If people are unaware of this risk, they are less likely to seek treatment.
We can tell the truth about pregnancy without scaring women to death – in fact, it’s vital that we do | Emily Oster | The Guardian
A core problem with lack of discussion
We can tell the truth about pregnancy without scaring women to death – in fact, it’s vital that we do | Emily Oster | The Guardian
we do not discuss complicated pregnancy enough.
We can tell the truth about pregnancy without scaring women to death – in fact, it’s vital that we do | Emily Oster | The Guardian
help women navigate their pregnancy experience by giving them a better understanding of what the data says.
We can tell the truth about pregnancy without scaring women to death – in fact, it’s vital that we do | Emily Oster | The Guardian
yes, people have been giving birth at home for millions of years, but a lot of them died.
We can tell the truth about pregnancy without scaring women to death – in fact, it’s vital that we do | Emily Oster | The Guardian
having that medical help was life-saving.
We can tell the truth about pregnancy without scaring women to death – in fact, it’s vital that we do | Emily Oster | The Guardian
“Ðối với tôi, viết tiểu thuyết là thử thách, mà viết truyện ngắn là niềm vui. Nếu ví việc viết tiểu thuyết như trồng một khu rừng, thì viết truyện ngắn giống như trồng một mảnh vườn nhà. Hai công trình ấy bổ túc cho nhau, tạo ra cảnh trí mà tôi yêu thích”...
eBook Người Ti-Vi - Murakami Haruki full mobi pdf epub azw3 [Tập Truyện Ngắn]
Murakami Haruki là tác giả Nhật Bản có khuynh hướng phản kháng đối với truyền thống. Tác phẩm Haruki đặc sắc trong cả thể loại truyện dài lẫn truyện ngắn.
eBook Người Ti-Vi - Murakami Haruki full mobi pdf epub azw3 [Tập Truyện Ngắn]
Hội đồng thẩm định đánh giá cao “Tài năng hiện đại trong việc sáng tạo những độc thoại triền miên về nỗi sợ hãi”, “Những tình tiết đào sâu xuống nhiều tầng ý nghĩa”.
eBook Người Ti-Vi - Murakami Haruki full mobi pdf epub azw3 [Tập Truyện Ngắn]
tác giả văn học thuần túy (pure literature)
eBook Người Ti-Vi - Murakami Haruki full mobi pdf epub azw3 [Tập Truyện Ngắn]
Tập “Mạch ngầm” (Andaguraundo, Underground) thoát ra khỏi thể loại tiểu thuyết, ghi những cuộc phỏng vấn trực tiếp các tín đồ Chân lý Giáo Aum cũng những nạn nhân, những chi tiết thực tế của thảm kịch hơi độc, cho thấy tâm trạng phản kháng đối với những giá trị quan điểm tôn thờ vật chất của xã hội hiện đại, cố gắng tìm kiếm ý nghĩ cuộc đời từ những giả thuyết siêu hình
eBook Người Ti-Vi - Murakami Haruki full mobi pdf epub azw3 [Tập Truyện Ngắn]
Chính Murakami Haruki từ lâu vẫn tự nhận là “người dưng” (outsider) đối với xã hội Nhật Bản nói chung, vốn cứng ngắt vì những trật tự quá gò bó.
eBook Người Ti-Vi - Murakami Haruki full mobi pdf epub azw3 [Tập Truyện Ngắn]
I’m not okay with this unimaginative casting of characters but I can live with reading about them. What I don’t like about his stories is the use of supernatural events or characters that just do not conclude in a satisfying way, which in turn makes it hard for my imagination to come up with any conclusion. This is what happened in The Elephant Vanishes.
My Last Murakami & A Slow Boat to China | It's in the writing
Moral of the long story is: study computational neuroscience because you like using computer programming applied to messy biological problems don't expect a great job after unless you follow a very lucky angle on the field (but you will likely find room in academia) expect insane amount of work but some of the most interesting there is
What careers can a master in computational neuroscience help for? - Quora
use computational tools, mathematical models, and neuroinformatic databases provided by neuroinformaticians to collaborate, share information, and quantitatively confirm working theories.
Neuroinformatics – EMOTIV
Neuroinformatics is at the crossroads of neuroscience and information science.
Neuroinformatics – EMOTIV
understand important algorithms for data analysis in Neuroinformatics.
UZH - University of Zurich - Studies
use these programs to analyze neurobiological data.
UZH - University of Zurich - Studies
write computer programs
UZH - University of Zurich - Studies
reviewed according to the stipulations of § 3 of the Bologna guideline of the Swiss University Conference.
UZH - University of Zurich - Studies
work with real biological systems, with computational models, artificial neural networks, and robots.
UZH - University of Zurich - Studies
the central nervous system is built and operates to address specific challenges and solves complex problems.
UZH - University of Zurich - Studies
This knowledge can then be applied to other domains, such as intelligent systems built from silicon.
UZH - University of Zurich - Studies
tries to discover the general principles that allow our own brains and the brains of other animals to function so fast and efficiently.
UZH - University of Zurich - Studies
The physical and operational sophistication of a nervous system
UZH - University of Zurich - Studies
eight years after their first encounter at the Grand Palais, Yvonne's sister arranged for the two to meet.
Alain-Fournier - Biography
He later wrote to his friend Jacques Rivière 'She did not come. Even if she had, she would not have been the same girl'.
Alain-Fournier - Biography
He followed her to the tram and whispered to her as she boarded 'You are beautiful'. She ignored him but he continued to follow her to the church. At the end of the mass the two had a 'long, beautiful, strange and mysterious conversation'. She asked him his name and then he asked for hers. She hestitated a second, but looking him straight in the eye and with great confidence she said with pride, 'My name? I am Miss Yvonne de Quiévrecourt'. Unfortunately, she asked that he not try to see her again as she was engaged to be married. This encounter changed Fournier's life and provided the basis fo…
Alain-Fournier - Biography
a young student of 18 years, walked out of an exhibition at the Grand Palais in Paris and was suddenly faced with the girl of his dreams.
Alain-Fournier - Biography
The novel’s takeaway, for me, is a don’t-look-back realization most teenagers have, at some point, wherein they recognize that everything they thought was the best—or the most important, or the worst thing ever—was actually mundane, trivial. That’s a sobering feeling, even when it comes to the vagaries of young love, the ache that feels like a hole in the stomach.
The Grand Menelause
Fournier replied, “I think that sentimentality is above all sloppy writing. My credo in art: childhood. To be able to reproduce it without any childishness—its depth touches on the mysterious.”
The Grand Menelause
there is the same combination of dreamlike vision and everyday detail.”
The Grand Menelause
“In some respects,” Fredrika Blair points out in her introduction to the 1950 Anchor edition, “Le Grand Meaulnes resembles Kafka’s fantasy, The Castle. Both are allegories.
The Grand Menelause
Naturally, what I write isn’t neatly organized, a ready-to-go novel, so later I rework it a number of times, changing its form.
Haruki Murakami: Where My Characters Come From - The Atlantic
Most of the time, the characters who appear in my novels naturally emerge from the flow of the story.
Haruki Murakami: Where My Characters Come From - The Atlantic
I might model a character on a real person, but I always carefully and diligently rework the character so people won’t recognize the original. Probably the person himself doesn’t either.
Haruki Murakami: Where My Characters Come From - The Atlantic
"In this book, I wanted to try pursuing a 'first person singular' format, but I don't like relating my experiences just the way they are," Murakami tells me in an email interview. "So I reshape them over and over and fictionalize them, to the point where, in some cases, you can't detect what they were modeled after.
Interview: Haruki Murakami, Author Of 'First Person Singular' : NPR
If you have a plan—if you know the end when you start—it’s no fun to write that novel
The Underground Worlds of Haruki Murakami | The New Yorker
But I have a definition of a gentleman novelist: first, he doesn’t talk about the income tax he has paid; second, he doesn’t write about his ex-girlfriends or ex-wives; and, third, he doesn’t think about the Nobel Prize for Literature.
The Underground Worlds of Haruki Murakami | The New Yorker
When I don’t feel it, I usually turn to translating from English. Since translation is essentially a technical operation, I can pursue it on a daily basis, quite separate from my creative desire
‘I want to open a window in their souls’: Haruki Murakami on the power of writing simply | Haruki Murakami | The Guardian
: I never write unless I really want to, unless the desire to write is overwhelming.
‘I want to open a window in their souls’: Haruki Murakami on the power of writing simply | Haruki Murakami | The Guardian
yet I have never experienced what is commonly known as “writer’s block”. Wanting to write but being unable to is unknown to me
‘I want to open a window in their souls’: Haruki Murakami on the power of writing simply | Haruki Murakami | The Guardian
The heavier that discussion gets, the farther freedom retreats, and the slower your footwork becomes.
‘I want to open a window in their souls’: Haruki Murakami on the power of writing simply | Haruki Murakami | The Guardian
Rather, it’s better to ask “Who would I be if I weren’t seeking anything?”
‘I want to open a window in their souls’: Haruki Murakami on the power of writing simply | Haruki Murakami | The Guardian
A brilliant person may use every ounce of his intelligence to develop form and style, may diagram every step, but if he lacks that natural impulse he is likely to fail or, if not fail, produce something that will not last.
‘I want to open a window in their souls’: Haruki Murakami on the power of writing simply | Haruki Murakami | The Guardian
There was no need to feel self-conscious. In fact, writing was fun – it let me feel free and natural.
‘I want to open a window in their souls’: Haruki Murakami on the power of writing simply | Haruki Murakami | The Guardian
If there is indeed something original about my novels, I think it springs from the principle of freedom
‘I want to open a window in their souls’: Haruki Murakami on the power of writing simply | Haruki Murakami | The Guardian
. Sustaining the rhythm, finding the coolest chords, trusting in the power of improvisation – it was tremendously exciting.
‘I want to open a window in their souls’: Haruki Murakami on the power of writing simply | Haruki Murakami | The Guardian