Corinne Leong
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on the atlas — 15
- Y Combinator: The Institute of Innovation2 savers
- El asesinato de Thomas Sankara: La destrucción de una revolución popular – El Militante1 savers
- 04 INSIDE THE MIND: PAUL ARMSTRONG — SEISMA Magazine — Where sciences and arts collide1 savers
- Affect Theory and the New Age of Anxiety | The New Yorker1 savers
- Nury Martinez Resigns As Los Angeles City Council President After Racist Comments - The New York Times1 savers
- Mariko Aoki phenomenon2 savers
- Hard Data: The Erotics of Infographics2 savers
- a little life is not your father - by Brandon1 savers
- zaddies and they kids - by Brandon - sweater weather1 savers
- What Is the Metaverse, Exactly? | WIRED2 savers
- Why We’re Freaking Out About Substack - The New York Times2 savers
- ⚡️ Take Back the Future! - Reboot8 savers
- ⚡️ Towards Ineffective Altruism18 savers
- Love is not a math problem - by Gonzalo Nuñez21 savers
- Inside the World of Leg Lengthening | GQ2 savers
highlights — 6
Blaise Compaore, quien gobernó a Burkina Faso con mano de hierro durante casi tres décadas, será juzgado junto con otras 13 personas, por un tribunal militar el 11 de octubre por el asesinato en 1987 del entonces presidente Thomas Sankara.
El asesinato de Thomas Sankara: La destrucción de una revolución popular – El MilitantePhenomenological literary theories view a work of art as an interaction between the acts of authorial consciousness that give rise to the work and the consciousness of the reader who brings these acts to life again.
04 INSIDE THE MIND: PAUL ARMSTRONG — SEISMA Magazine — Where sciences and arts collide“In the golden age of blogging, writers hated each other but they went back and forth over each other’s ideas. Now, people call the manager all the time,” he said.
Why We’re Freaking Out About Substack - The New York TimesThis new ability of individuals to make a living directly from their audiences isn’t just transforming journalism. It’s also been the case for adult performers on OnlyFans, musicians on Patreon, B-list celebrities on Cameo.
Why We’re Freaking Out About Substack - The New York TimesSubstack has captivated an anxious industry because it embodies larger forces and contradictions. For one, the new media economy promises both to make some writers rich and to turn others into the content-creation equivalent of Uber drivers, even as journalists turn increasingly to labor unions to level out pay scales.
Why We’re Freaking Out About Substack - The New York TimesLove is intractable; it requires a small dose of irrationality.
Love is not a math problem - by Gonzalo Nuñez