Photographing the Races for Grand Prix
Radio-controlled Super Panavision cameras, microwave viewfinders, a helicoptering cameraman and daredevil drivers combine to film the most exciting auto ra
By John Stephens Second-Unit and Helicopter Cameraman, Grand Prix — MGM It all began about a year ago when Roy Clark and I were working as camera operators for director of photography James Wong Howe, ASC on John Frankenheimer’s film Seconds, at Paramount Studios. Frankenheimer was then preparing to direct Grand Prix, and because he knew I had worked with many unusual camera rigs on snow-skiing, water-skiing, surfing and underwater film assignments, he figured that I might be able to come up with some ideas on how to photograph the exciting racing sequences that would make up a major part…
saved by
related reading
- Building race telemetry for a '92 Honda Accordjzhao.xyz
- How F1 Cars Collect Data in Real Timeyoutube.com
- The Maintenance Race - Works in Progress Magazineworksinprogress.co
- Cameras and Lenses – Bartosz Ciechanowskiciechanow.ski
- The American Society of Cinematographers | Star Wars: Miniature and Mechanical Special Effectstheasc.com
- The Maintenance Race - Works in Progress Magazineworksinprogress.co
- To Make a Documentaryansonyu.me
- f/8 and be there - Wikipediaen.wikipedia.org
- How to build a self-driving car in one month | by Max Deutsch | Mediummedium.com
- Czinger Vehicles | California Gold Rushyoutube.com
- 1911-1947 OFFICIAL PHOTOGRAPHS INDIANAPOLIS MOTOR SPEEDWAY 500 PHOTOGRAPHS OF 500 CARS DRIVERS CRASHES PERSONALITES FROM 1911 TO 1946 TOWER PHOTOGRAPHERS Archives - Chuck's Toylandchuckstoyland.com
- 24 Hours of Lemons - Wheel to Wheel Racing for $500 Cars24hoursoflemons.com