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Ani on X: "Vibe laundering, pt. 1: On Citrini Research, disclosure gaps & the architecture of influence " / X

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To view keyboard shortcuts, press question mark View keyboard shortcuts Home Explore Notifications Chat Grok Premium Bookmarks Creator Studio Articles Profile More Post verda @verdakorz Article See new posts Conversation Ani @anistotle_ Vibe laundering, pt. 1: On Citrini Research, disclosure gaps & the architecture of influence 14 13 101 79K When content becomes credibility becomes capital and our brave new world Buh bum buh bum buh bum. Jimi Hendrix’s Purple Haze starts with a tritone melody known as the devil’s interval that was banned by medieval church composers because the jarring dissonance sounded like the end of the world or the beginning of something that couldn’t be taken back. The dissonance is from the two notes of the octaves fighting each other for dominance, but somehow, miraculously, the discordant tones melt into something sensible and you’re nodding along and the song starts making sense, even though you can’t explain why. The dissonance conjures itself into music t

@anistotle_: Vibe laundering, pt. 1: On Citrini Research, disclosure gaps & the architecture of influence When content becomes credibility becomes capital and our brave new world Buh bum buh bum buh bum. Jimi Hendrix’s Purple Haze starts with a tritone melody known as the devil’s interval that was banned by medieval church composers because the jarring dissonance sounded like the end of the world or the beginning of something that couldn’t be taken back. The dissonance is from the two notes of the octaves fighting each other for dominance, but somehow, miraculously, the discordant tones mel

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