Histories of the Digital Now | Whitney Museum of American Art

By Christiane Paul, adjunct curator of digital artWalk into any given gallery or museum today, and one will presumably encounter work that used digital technologies as a tool at some point in its production, whether videos that were filmed and edited using digital cameras and post-production software, sculptures designed using computer-aided design, or photographs as digital prints, to name just a few examples.

Histories of the Digital Now | Whitney Museum of American Art Programmed: Rules, Codes, and Choreographies in Art, 1965–2018 Histories of the Digital Now By Christiane Paul, adjunct curator of digital art Installation view of Programmed: Rules, Codes, and Choreographies in Art, 1965-2018 (Whitney Museum of American Art, New York, September 28, 2018-April 14, 2019). From left to right: Nam June Paik, Fin de Siècle II , 1989 (partially restored, 2018); Sol LeWitt, Five Towers , 1986; Josef Albers, Homage to the Square V , 1967; Josef Albers, Homage to the Square IX , 1967; Josef Albers, Homage t

related reading

• The Afterlives of Computer Artemptysetmag.com
• The Philosophy of Digital Art (Stanford Encyclopedia of Philosophy)plato.stanford.edu
• Brian Droitcour on “Digital Witness” - Criticism - e-fluxe-flux.com
• Technical Difficultiesartforum.com
• Florian Cramer: Concepts, Notations, Software, Artnetzliteratur.net
• Interactive arten.wikipedia.org
• The Laboratory and the Artist - Cleveland Review of Booksclereviewofbooks.com
• Reichardt_Jasia_ed_Cybernetic_Serendipidity_The_Computer_and_the_Arts.pdfmonoskop.org
• A Century of Art and Technology in the Bay Area | by Ken Goldberg | Silicon Valley Robotics | Mediummedium.com
• Tools, Computing, and Research Labs — James Hill-Khuranajameshk.com
• Intelligence | Penn History of Artarth.sas.upenn.edu
• A Visual History of Typewriter Art from 1893 to Today – The Marginalianthemarginalian.org