flâneur

The Megacity | The New Yorker

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The Third Mainland Bridge is a looping ribbon of concrete that connects Lagos Island to the continent of Africa. It was built in the nineteen-seventies, part of a vast network of bridges, cloverleafs, and expressways intended to transform the districts and islands of this Nigerian city—then comprising three million people—into an efficient modern metropolis. As the bridge snakes over sunken piers just above the waters of Lagos Lagoon, it passes a floating slum: thousands of wooden houses, perched on stilts a few feet above their own bobbing refuse, with rust-colored iron roofs wreathed in the haze from thousands of cooking fires. Fishermen and market women paddle dugout canoes on water as black and viscous as an oil slick. The bridge then passes the sawmill district, where rain-forest logs—sent across from the far shore, thirty miles to the east—form a floating mass by the piers. Smoldering hills of sawdust landfill send white smoke across the bridge, which mixes with diesel exhaust fr

The Third Mainland Bridge is a looping ribbon of concrete that connects Lagos Island to the continent of Africa. It was built in the nineteen-seventies, part of a vast network of bridges, cloverleafs, and expressways intended to transform the districts and islands of this Nigerian city—then comprising three million people—into an efficient modern metropolis. As the bridge snakes over sunken piers just above the waters of Lagos Lagoon, it passes a floating slum: thousands of wooden houses, perched on stilts a few feet above their own bobbing refuse, with rust-colored iron roofs wreathed in the

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