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Programming Posters • tim rodenbröker creative coding

timrodenbroeker.de · 331 words · saved by 1 readers

The printed poster, the major medium for visual communication in public space for centurys, experiences fundamental transformations. The „Poster 2.0“ is much more than a surface with type, colors and images on it: It is an interactive application, animated, audible, data driven and intermedial. It involves all senses and disciplines. And it melts together graphic design with cutting edge technologies. The project-idea came up when i’ve prepared a creative coding-course for the faculty of Design at Rhine-Waal University. I’ve aimed to create a design-project-briefing that fits perfectly into the fields of interest of communication designers. In the beginning of the conception i’ve faced the challenge, that the design-students didn’t know if its possible to create quality graphic-design with a programming-language and no foreknowledge anyway. I needed to proof that before the course began. The outcome of that research is what you see in this case-study. To ensure a high remarkability and

The printed poster, the major medium for visual communication in public space for centurys, experiences fundamental transformations. The „Poster 2.0“ is much more than a surface with type, colors and images on it: It is an interactive application, animated, audible, data driven and intermedial. It involves all senses and disciplines. And it melts together graphic design with cutting edge technologies. The project-idea came up when i’ve prepared a creative coding-course for the faculty of Design at Rhine-Waal University. I’ve aimed to create a design-project-briefing that fits perfectly into…

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