Who Is the Art World For?

This February, I woke up one morning to a seemingly urgent text from an artist friend of mine. It was an RSVP link to an installation show with a persuasively enigmatic accompaniment: “Reserved a spot. The warehouse is downtown. Might be the last chance to see it. Worth it.”

Nick Pryde/National Gallery of Art, Washington D.C. This February, I woke up one morning to a seemingly urgent text from an artist friend of mine. It was an RSVP link to an installation show with a persuasively enigmatic accompaniment: “Reserved a spot. The warehouse is downtown. Might be the last chance to see it. Worth it.” In L.A., there’s a certain pressure to know what’s fleetingly relevant. “When are you going,” I asked. “Yesterday.” I drove through the downtown sprawl to arrive at a hangar-sized warehouse on a busy street. A parking attendant ushered me into a lot that was already full.

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