The Difficult Women of “Sex and the City” | The New Yorker
From 2013: Emily Nussbaum on the show that jump-started HBO, and how the sexually frank antiheroes of “Sex and the City” led to Tony Soprano of “The Sopranos.”
Save this story Save this story Though “The Sopranos” may have sparked the bad-boy revolution of cable TV, Carrie Bradshaw was the first female anti-hero. Illustration by Andy Friedman When people talk about the rise of great TV, they inevitably credit one show, “The Sopranos.” Even before James Gandolfini’s death, the HBO drama’s mystique was secure: novelistic and cinematic, David Chase’s auteurist masterpiece cracked open the gangster genre like a rib cage, releasing the latent ambition of television, and launching us all into a golden age. “The Sopranos” deserves the hype. Yet there’s some
related reading
- standing on the shoulders of complex female charactersinternetprincess.substack.com
- The male mind cannot comprehend the allure of Tony Sopranocatherineshannon.substack.com
- The West Village Girls Are Changing How the World Sees NYCthecut.com
- The Smartest Women I Know Are All Dissociatingbuzzfeednews.com
- Student of Desirethepointmag.com
- Literary Hub >> Winning the Game You Didn’t Even Want to Play: On Sally Rooney and the Literature of the Poselithub.com
- Too Close, Too Compromised: “Killing Eve” and the Promise of Sandra Oh | Los Angeles Review of Bookslareviewofbooks.org
- “Another Manhattan” | The New Yorkernewyorker.com
- How HBO Almost Lost Succession - Excerpt from It's Not TV: The Spectacular Rise, Revolution, and Future of HBOtownandcountrymag.com
- Sarah Manguso’s “Liars,” Reviewed | The New Yorkernewyorker.com
- standing on the shoulders of complex female charactersinternetprincess.substack.com
- The Therapist Remaking Our Love Lives on TV | The New Yorkernewyorker.com