Dune 3 Needed Custom IMAX Lenses Built From Scratch - Y.M.Cinema Magazine
ymcinema.com · 732 words · saved by 1 readers
Dune Part Three was shot on IMAX film using custom lenses built from scratch. Here is the technical breakdown of the camera and optics behind it.
As covered in Dune Part Three Shot on Film, Dune Part Three (Dune 3) is being photographed on film, including IMAX 70mm capture. That is an important technical shift. On the first Dune, as explained in Dune Was Shot on Alexa LF Then Transferred to 35mm Film Then Scanned Back to Digital, the production used a digital acquisition pipeline with a film intermediate. Moving to native 65mm and IMAX 70mm acquisition changes the lens requirements substantially because the format is less forgiving of edge falloff, coverage limitations, and inconsistent rendering across the image circle. Directed by…
saved by
related reading
- Choosing The Right Aspect Ratio For Your Filmyoutube.com
- Making of ‘Frankenstein’: Guillermo del Toro’s Take on the Classichollywoodreporter.com
- 'Dune' cinematographer Greig Fraser sheds light on his craft | KPBS Public Mediakpbs.org
- Cameras and Lenses – Bartosz Ciechanowskiciechanow.ski
- Denis Villeneuveen.wikipedia.org
- Is Dunkirk Too Loud? Complaints mount, is Christopher Nolan to Blame?indiewire.com
- Inside the Making of The Odyssey with Matt Damon, Tom Holland, Robert Pattinson, and Christopher Nolan | GQgq.com
- How To Analyze Movies – Film Studies 101youtube.com
- Crop or Not? Why I haven't been shooting Full Frameyoutube.com
- How to make ANY video CINEMATIC | tips, tricks & definitionyoutube.com
- Composer Magazine — Spitfire Audiocomposer.spitfireaudio.com
- The Lion King: a film shot inside a game engine, with VR and Virtual Production by Jose Antunes - ProVideo Coalitionprovideocoalition.com