Jhumpa Lahiri on Missing Rome
newyorker.com · 1,642 words · saved by 1 readers
The author discusses “Casting Shadows,” her story from this week’s issue of the magazine.
Save this story Save this story Photograph by Elena Siebert Your story in this week’s issue, “ Casting Shadows ,” opens on a bridge in an Italian city as a woman and a man meet. When did that image first come to mind? It probably grew out of my frequent crossing of Ponte Garibaldi in Rome, the bridge that takes me from Trastevere and leads to the Jewish Ghetto on the other side of the Tiber, where there is a library, housed in the Centro Studi Americani, that I love to work in. I discovered it when I was living in Rome, and I began writing this piece of fiction there. The story is adapted from
saved by
related reading
- Jhumpa Lahiri on Writing for Literary Greats and What Gets Lost in Translationharpersbazaar.com
- Paris Review - Joan Didion, The Art of Fiction No. 71theparisreview.org
- Literary Hub >> Jhumpa Lahiri on the Freedom of Writinglithub.com
- “The Third and Final Continent,” by Jhumpa Lahiri | The New Yorkernewyorker.com
- Literary Hub >> Nuar Alsadir: The Craft of Writing Empathylithub.com
- Elena Ferrante’s New Book: Art Winsnewyorker.com
- Literary Hub >> Joan Didion: Why I Writelithub.com
- brutalism of the mindblgtylr.substack.com
- “Writing Is an Act of Pride”: A Conversation with Elena Ferrante | The New Yorkernewyorker.com
- What Brings Elena Ferrante’s Worlds to Life? | The New Yorkernewyorker.com
- Literary Hub >> Jhumpa Lahiri on Preserving the Multiplicity of Languagelithub.com
- On growing up and fading dreamslovelila.substack.com