Malcolm on the Stand | Online Only | n+1 | Max Abelson
She is cutting, wary, funny, and wise. Her style is what I wish I had instead of the chipper inner voice I’m stuck with. Nothing in Malcolm’s writing is dull or amiss unless she’s quoting somebody else. Her lines put me in mind of the painter Agnes Martin—everything so even and tight.
Janet Malcolm: The Last Interview and Other Conversations. Introduction by Katie Roiphe. Melville House, 2022. In the few times Janet Malcolm let other reporters interview her, she did what she could to keep herself safe. “Doing this interview by email gives me a chance to think of answers to your questions,” Malcolm wrote to the Believer in 2004. “If we did it in person, I might just look at you in blank helplessness.” She invited a Paris Review interviewer over to her Gramercy Park apartment seven years later, but didn’t answer the questions until typing on her desktop Mac. Malcolm, who…
saved by
related reading
- Paris Review - Joan Didion, The Art of Fiction No. 71theparisreview.org
- Grief and Conspiracy 20 Years After 9/11 - The Atlantictheatlantic.com
- The Art of Fiction No. 71, Joan Didionweb.archive.org
- Susan Orlean Goes In Blind | Totei - The Art Is in the Makingtotei.com
- Milky | Molly Mielke McCarthy | Substackmilky.substack.com
- 00-On-Keeping-a-Notebook.pdfpdf-objects.com
- Charli XCX / Lorde: “The girl, so confusing version with lorde” Track Review | Pitchforkpitchfork.com
- ALGREN.qrkblackwingpages.wordpress.com
- “This Is Pleasure,” by Mary Gaitskill | The New Yorkernewyorker.com
- Paris Review - William Maxwell, The Art of Fiction No. 71theparisreview.org
- The McPhee method « the jsomers.net blogjsomers.net
- Joan Didion’s Notes on Therapy | The New Yorkernewyorker.com