everything was pink and nothing hurt: on barbie (2023), pinkydoll, and the dialectics of feminist pop culture
at the exact same time we’re reimagining Barbie — the epitome unrealistic expectations of womanhood — in the mainstream, we’re witnessing the merging of ‘real’ womanhood with its digitized fiction.
everything was pink and nothing hurt: on barbie (2023), pinkydoll, and the dialectics of feminist pop culture at the exact same time we’re reimagining Barbie — the epitome unrealistic expectations of womanhood — in the mainstream, we’re witnessing the merging of ‘real’ womanhood with its digitized fiction. caitlyn clark Aug 15, 2023 98 16 Share Like most young women, I remember when I began to hate Barbie dolls. The hatred happened in three stages. The earliest, most primitive iteration was embedded in tomboyish rebellion, a politically confused amalgamation of equal parts pre-feminism and int
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