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Histories of the Digital Now | Whitney Museum of American Art

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By Christiane Paul, adjunct curator of digital artWalk into any given gallery or museum today, and one will presumably encounter work that used digital technologies as a tool at some point in its production, whether videos that were filmed and edited using digital cameras and post-production software, sculptures designed using computer-aided design, or photographs as digital prints, to name just a few examples.

Histories of the Digital Now | Whitney Museum of American Art Programmed: Rules, Codes, and Choreographies in Art, 1965–2018 Histories of the Digital Now By Christiane Paul, adjunct curator of digital art Installation view of Programmed: Rules, Codes, and Choreographies in Art, 1965-2018 (Whitney Museum of American Art, New York, September 28, 2018-April 14, 2019). From left to right: Nam June Paik, Fin de Siècle II , 1989 (partially restored, 2018); Sol LeWitt, Five Towers , 1986; Josef Albers, Homage to the Square V , 1967; Josef Albers, Homage to the Square IX , 1967; Josef Albers, Homage t

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