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Taylor Swift’s New Album, “The Life of a Showgirl,” Reviewed | The New Yorker

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Actualmente, solo los residentes de ciertos países y estados de EE. UU. pueden optar por no usar ciertas Tecnologías de Rastreo a través de nuestra Plataforma de Gestión de Consentimiento. Puede que haya opciones adicionales disponibles para estas tecnologías en su dispositivo, navegador o a través de opciones del sector como AdChoices. Consulte nuestra Política de Privacidad para obtener más información. Since Taylor Swift launched the record-breaking Eras Tour, in 2023—a hundred and forty-nine dates, fifty-one cities, more than two billion dollars in ticket sales—she has been freakishly omnipresent in the cultural consciousness: a grinning lodestar in Louboutin boots. The tour ended last December, but, rather than ceding the spotlight, Swift doubled down on her mega-celebrity, first with a wildly publicized engagement to Travis Kelce, a tight end for the Kansas City Chiefs, and then by releasing “The Life of a Showgirl,” her twelfth studio album, and her second in less than eighteen

Save this story Save this story Since Taylor Swift launched the record-breaking Eras Tour , in 2023—a hundred and forty-nine dates, fifty-one cities, more than two billion dollars in ticket sales—she has been freakishly omnipresent in the cultural consciousness: a grinning lodestar in Louboutin boots. The tour ended last December, but, rather than ceding the spotlight, Swift doubled down on her mega-celebrity, first with a wildly publicized engagement to Travis Kelce, a tight end for the Kansas City Chiefs, and then by releasing “The Life of a Showgirl,” her twelfth studio album, and her secon

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