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In Praise of the Terrorist | Issue 43 | n+1 | Nicolás Medina Mora

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He spent his formative years as a worker in Tijuana’s maquiladoras, light-industry sweatshops that bloomed like poisonous mushrooms in the Mexican borderlands after the passage of NAFTA. This is perhaps why so much of Yépez’s critique of the Mexico City literary establishment focuses on money: who gets it, who doesn’t, and who decides who belongs in each category.

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