✳flâneur — a map of the web's best reading

No. 25

apublicspace.org · 988 words · saved by 1 readers

An issue exploring iconoclasts, tensions, contrasts, antagonisms, and culture clashes that motivate art and inform conflict. NOTE This is an issue exploring duels. Brigid Hughes ART Brian Calvin LETTERS I therefore give you back your freedom as of September 1, 1959. Le Corbusier FICTION He was their fascination, danger, and distraction, a foretold scapegoat, a matter of time. Mark Hage PHOTOGRAPHY Krzysztof Wodiczko FREE SPEECH FREELY SPOKEN You can trust it a little, but only, as admitted, a little. Gordon Lish ART Ana Hatherly ESSAY They say difficulty is an invitation; does that mean the more the difficulty, the more the invitation? Is impossibility the deepest invitation of all? Amy Leach ART Kazimir Malevich FICTION The first thing he wanted to do was to leave, no, it wasn’t—why are you lying to yourself, Costumier? Translated from the Russian by Natasha Randall Alexander Kan POSTERS Rejoice! Our times are intolerable. Take courage, for the worst is a harbinger of the best. Jenny

No. 25 Magazine Current Issue Past Issues Public Access Subscribe Current Issue Past Issues Public Access Subscribe A Public Space No. 25 Winter 2017 --> An issue exploring iconoclasts, tensions, contrasts, antagonisms, and culture clashes that motivate art and inform conflict. Digital Print Select Format Digital Print Print + Digital - Sold Out Subscribe Table of Contents Note Duels This is an issue exploring duels. Brigid Hughes Art Profiles Brian Calvin Letters Le Corbusier to Iannis Xenakis I therefore give you back your freedom as of September 1, 1959. Le Corbusier Fiction The Sinister Ca

Explore this link on the map →

saved by

related reading