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The Paris Review - Verdigris: The Color of Oxidation, Statues, and Impermanence

theparisreview.org · 1,080 words · saved by 1 readers

It’s hard to imagine now, but people once gathered together freely, shoulders rubbing against shoulders, breath exchanged between lungs, bodies open to one another—all this closeness, almost a million people standing in a crowd just to watch a statue get undressed. It was a rainy October day in 1886 and the Statue of Liberty was shrouded in a French flag. The weather was miserable and the ceremonial unveiling went poorly. The drapery was pulled off too soon (right in the middle of a speech), and the fireworks display had to be canceled and rescheduled. Still, over a million freezing New Yorkers came out (including a boat full of suffragettes, protesting the statue). While it’s hard for me to even imagine standing inside a crowd of that size, it’s harder still to imagine the Statue of Liberty herself, as she looked then. Before she was the verdigris icon, patron saint of many a bespoke paint color, she was copper-skinned. Brown, not green. It felt like a revelation to read that tiny det

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