✳flâneur — a map of the web's best reading
Why Is Everyone Always Stealing Black Music? - The New York Times
nytimes.com · 4,878 words · saved by 1 readers
Because it’s the sound of complete artistic freedom.
The 1619 Project examines the legacy of slavery in America. Read all the stories. Photo illustration by Michael Paul Britto I’ve got a friend who’s an incurable Pandora guy, and one Saturday while we were making dinner, he found a station called Yacht Rock . “A tongue-in-cheek name for the breezy sounds of late ’70s/early ’80s soft rock” is Pandora’s definition, accompanied by an exhortation to “put on your Dockers, pull up a deck chair and relax.” With a single exception, the passengers aboard the yacht were all dudes. With two ex
Explore this link on the map →saved by
related reading
- bell hooks – Eating the Other: Desire and Resistance | Geniusgenius.com
- The Organizing Role of Music in the Civil Rights Movement | Democracy Now!democracynow.org
- Plagiarism is Necessary: a Conversation with Tony Cokes | | Flash Artflash---art.com
- My Mother’s Dreams for Her Son, and All Black Children | The New Yorkernewyorker.com
- Malcolm-X-The-Ballot-or-the-Bullet.pdfbpb-us-e2.wpmucdn.com
- The Real Meaning of Trump's Smithsonian Executive Order - The Atlantictheatlantic.com
- Why Do Rich People Love Quiet? - The Atlantictheatlantic.com
- On Reparations - Felonious Monkthefeloniousmonk.com
- Forgotten Practices in Early Psychiatry: Racism at Friends Asylum in the Pre-Civil War Era, 1817-1861qmh.haverford.edu
- "I Was a Negro in the South for 30 Days" - Ray Sprigle - Pittsburgh Post-Gazette · Undercover Reportingundercover.hosting.nyu.edu
- BOMB Magazine | bell hooks by Lawrence Chuabombmagazine.org
- The Peoples of Americapalladiummag.com