Portrait of the Artist as an Office Drone | The New Yorker

archive.today webpage capture Saved from no other snapshots from this url 20 Jan 2024 13:32:02 UTC All snapshots from host www.newyorker.com WebpageScreenshot sharedownload .zipreport bug or abuseBuy me a coffee Skip to main content Subscribe for $29.99 $6 for 12 weeks. Newsletter Sign In Subscribe Search The Latest News Books & Culture Fiction & Poetry Humor & Cartoons Magazine Puzzles & Games Video Podcasts Goings On Shop The Weekend Essay Portrait of the Artist as an Office Drone Some memoirs are billed as being about high-profile industries. But really, they’re often about writers at work. By Anna Wiener January 20, 2024 Illustration by Manshen Lo In the opening pages of “Private Equity,” a memoir about working in high finance in the early twenty-tens, the author, Carrie Sun, is asked in a job interview why she wants to be a personal assistant to the founder of an investment firm. Sun, who at the time is twenty-nine years old, has been recruited by a headhunter through LinkedI

archive.today webpage capture Saved from no other snapshots from this url 20 Jan 2024 13:32:02 UTC All snapshots from host www.newyorker.com WebpageScreenshot sharedownload .zipreport bug or abuseBuy me a coffee Skip to main content Subscribe for $29.99 $6 for 12 weeks. Newsletter Sign In Subscribe Search The Latest News Books & Culture Fiction & Poetry Humor & Cartoons Magazine Puzzles & Games Video Podcasts Goings On Shop The Weekend Essay Portrait of the Artist as an Office Drone Some memoirs are billed as being about high-profile industries. But really, they’re often about writers at work.