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Some Notes on Attunement | The New Yorker

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The first time I heard her I didn’t hear her at all. My parents did not prepare me. (The natural thing in these situations is to blame the parents.) She was nowhere to be found on their four-foot-tall wood-veneer hi-fi. Given the variety of voices you got to hear on that contraption, her absence was a little strange. Burning Spear and the Beatles; Marley, naturally, and Chaka Khan; Bix Beiderbecke, Louis Armstrong, Duke Ellington, and James Taylor; Luther Vandross, Anita Baker, Alexander O’Neal. And Dylan, always Dylan. Yet nothing of the Canadian with the open-tuned guitar. I don’t see how she could have been unknown to them—it was her peculiar curse to never really be unknown. Though maybe they had heard her and simply misunderstood. My parents loved music, as I love music, but you couldn’t call any of us whatever the plural of “muso” is. The Smiths owned no rare tracks, no fascinating B-sides (and no records by the Smiths). We wanted songs that made us dance, laugh, or cry. The only

Save this story Save this story Illustration by John Brownjohn The first time I heard her I didn’t hear her at all. My parents did not prepare me. (The natural thing in these situations is to blame the parents.) She was nowhere to be found on their four-foot-tall wood-veneer hi-fi. Given the variety of voices you got to hear on that contraption, her absence was a little strange. Burning Spear and the Beatles; Marley, naturally, and Chaka Khan; Bix Beiderbecke, Louis Armstrong, Duke Ellington, and James Taylor; Luther Vandross, Anita Baker, Alexander O’Neal. And Dylan, always Dylan. Yet nothing

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