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Georgia O’Keeffe Finally Arrives in Paris | The New Yorker

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A big solo exhibit brings O’Keeffe’s American sublime to European viewers.

Save this story Save this story “Pelvis with the Distance,” 1943. Art work © Indianapolis Museum of Art / Bridgeman Images / Georgia O’Keeffe Museum / Adagp Paris is still under the gloomy pall of the coronavirus, but the city carries this off with élan. Proof of vaccination is mandatory in most places, and masks are required indoors, but everyone is courteous and no one seems to mind. Cafés are full, and traffic surges through the streets. Trottinettes —those narrow, elegant scooters—glide among the lanes, their drivers perfectly erect, one foot behind the other, like hieroglyphic Egyptian fi

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