Claire Lehmann’s Beautifully Wrong Realism | Frieze

From Katrin Hornek’s post-apocalyptic wasteground to Kristof Santy’s majestic magnifications of the mundane, here are our latest cohort’s top spring exhibitions This month, three exhibitions open in Frieze's Mayfair space, including a solo show by Rameshwar Broota, an artist-led reflection on Edward Burra and Fathi Hassan's response to The Sunderland Collection On the occasion of her solo show at David Lewis Gallery, the artist speaks to Lucy Ives about the surreal relationship between digital memory and oil painting Lucy Ives: The imagery in your work is very strange. Where does it come from? Claire Lehmann: Some imagery is cribbed from European paintings from the 1400s, particularly Flemish Primitives and other late-Gothic polyptychs; sometimes I range a bit later: Parmigianino, Zurbarán. The other broad class of source pictures are scientific and technical materials from the mid-twentieth century up to today – sources that offer a methodology for making representations. What these t

From Katrin Hornek’s post-apocalyptic wasteground to Kristof Santy’s majestic magnifications of the mundane, here are our latest cohort’s top spring exhibitions This month, three exhibitions open in Frieze's Mayfair space, including a solo show by Rameshwar Broota, an artist-led reflection on Edward Burra and Fathi Hassan's response to The Sunderland Collection On the occasion of her solo show at David Lewis Gallery, the artist speaks to Lucy Ives about the surreal relationship between digital memory and oil painting Lucy Ives: The imagery in your work is very strange. Where does it come from?