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Igor Levit Is Like No Other Pianist | The New Yorker

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He’s a political activist. His repertory is vast. And, during Germany’s shutdown, he streamed more than fifty performances from home. It’s made him question what a concert can be.

Save this story Save this story On March 10th, the German pianist Igor Levit played Beethoven’s Third and Fifth Piano Concertos at the Elbphilharmonie, the hulking concert complex in Hamburg. It was his thirty-third birthday and, it turned out, his last public concert for many weeks. The next day, Angela Merkel, the German Chancellor, delivered a dire warning about the scope of the looming coronavirus pandemic, and performance spaces began closing across the country. At the time, Levit had a full schedule before him. He had recently issued a boxed-set recording of Beethoven’s thirty-two piano

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