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Josh Kline - ARTUNER | Curated Contemporary Art

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There is an interesting duality in Kline’s work, as the strongly theoretical foundation marries itself to the concrete world it inhabits. There is a tendency to circumnavigate artistic intellectualism and to ignore its inherent historicity. As a result his oeuvre opens a discussion which transcends the art industry, contextualising the works in terms of the present, and this is reflected in his curatorial practice. This idea is best noted in the contrast between his works, such as Living Wages that features bacterial cultures continually reproducing, and his sculptures, such as Ready to Wear, that are so easily reproduced by 3D printing techniques. These two contrasting elements represent a real human fear, embodied within the principle of bacterial fission. These living sculptures can only reproduce to the point that there are available growth factors; once these diminish the bacteria also dissipates. Josh Kline (b. 1979, Philadelphia) lives and works in New York as a curator, colla

There is an interesting duality in Kline’s work, as the strongly theoretical foundation marries itself to the concrete world it inhabits. There is a tendency to circumnavigate artistic intellectualism and to ignore its inherent historicity. As a result his oeuvre opens a discussion which transcends the art industry, contextualising the works in terms of the present, and this is reflected in his curatorial practice. This idea is best noted in the contrast between his works, such as Living Wages that features bacterial cultures continually reproducing, and his sculptures, such as Ready to Wear,

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